Arangetram (Bharatanatyam Graduation) of Aathira, Avni, Gnaanasree, Spruha and Tejasri under the Guru. Smt. Bhuvana Selvaraj

This blog is specially for the Harihara Maargam Recital (Bharatanatyam Graduation) of Kumari Tejasri Balamurugan, Kumari V.Gnaanasree, Kumari Aathira V. Satheesh, Kumari Avni Saini and Kumari Spruha Sushant Bhange.

There are #13 part of this video separated by each function and dance performance. This is the compilation of all.

Part #1 of #13

• Introduction
• Salangai poojai & Natarajar poojai with students, their family and Guru with her family.
• Lamp lighting by chief guest and other guests.
• Shloka by junior batch students
• Vocal rensition by Chaturniya

Video Link : https://youtu.be/lZjOgas3pqw

Part #2 of #13

Pushpanjali in Raagam - Gambheera Nattai and Talam - Adi followed by the well-known shloka on Ganesh - Mosshika Vahanam. : Pushpanjali is a traditional invocatory dance piece where the dancer salutes the guardians of the eight directions - ashtadikpalas, and the lord of dance, Lord Nataraja. The dancer pays homage to her Gurus, the composers, and the audience. This item is choreographed by Guru Dr. Smt. Siri Rama

Video Link : https://youtu.be/xVySbh8AYDw

Part #3 of #13

Alaripu in Mishra Chapu taalam. : In Tamil, Alari means blooming and poo means flower. Mishra Chapu Alarippu is a traditional, 7-beat Bharatanatyam piece, symbolizing a blossoming flower through rhythmic movements and awakening. This Alaripu is performed with O.S. Arun's vocal rendition of Thiruppugazh, a 15th-century hymn by Kavi Arunagirinathar praising Lord Muruga. This item is choreographed by Guru Dr. Smt. Siri Rama

Video Link : https://youtu.be/NrsDykoE308

Part #4 of #13

Murugan Shabdam - Ragamalika composition set to Mishra Chapu taalam. : Shabdam is an item in which the Expressions (Abhinaya) are introduced for the first time to the students. Murugan Shabdam is a significant item in Bharatanatyam, depicting Lord Murugan, also known as Lord Karthikeya. He is described as having six faces and twelve arms, riding a peacock and wearing a half-moon on his head. This Shabdam emphasizes his valiant nature and his role as a protector, often depicted in dance forms that highlight his attributes and the divine significance he holds in Hindu culture. This item is choreographed by Guru Smt. Bhuvana Selvaraj

Video Link : https://youtu.be/GFN6ufmdHA0

Part - #5 of #13

Main item of the recital - Dashavatara Varnam. : A Varnam is one of the most challenging and elaborate items in a Bharatnatyam Margam performance. The dancer has to constantly switch from fast rhythmic jatis to narrative and expressive elements. Today, Tejasri, Gnaanasree, Aathira, Avni & Spruha will present Varnam - Devaki Nandana.The verses for this Varnam is taken from Sri Dwadasha stotram written by Sri Madhvacharya in Sanskrit. It is set in Raagam Tillang and Talam Adi. This item describes the ten avataras / incarnations of Lord Vishnu - Matsya, Kurma, Varaha, Narasimha, Vamana, Parashurama, Rama, Krishna, Buddha and Kalki. This item is choreographed by Guru Dr. Smt. Siri Rama.

Video Link : https://youtu.be/CptUxqsJPOU

Part - #6 of #13

Kannada keerthnam – Bhagyadalakshmi baramma - a timeless composition of Sri Purandara dasain is a melodious invocation of Goddess Lakshmi, seeking her blessings for prosperity & well-being. Rendered in the uplifting Ragam Madhyamavathu & Adi Taalam, this keerthanam exudes an aura of divine grace and auspiciousness. The serene yet majestic flow of Madhyamavati enhances the devotional fervor of the lyrics, making this a cherished piece forever. This item is choreographed by Guru Dr. Smt. Siri Rama

Video Link : https://youtu.be/4TCuVlfNmvg

Part - #7 of #13

“Aadu Pambe”, a magical composition by Pambatti Siddar. : This is a powerful piece woven with philosophical symbolism. The “snake” in this song is not merely literal - it represents kundalini shakti, the dormant spiritual energy within. Set in the evocative Punnagavarali ragam, the song carries a meditative and hypnotic aura, often used to invoke divine grace and inner awakening. The rhythm of Adi taalam grounds the piece with a steady spiritual cadence. This item is choreographed by Guru Smt. Bhuvana Selvaraj

Video Link : https://youtu.be/DEy7Ho_Z6Tk

Part - #8 of #13

Thillana. This piece is set in Raagam senjrutti & taalam Adi. : This piece is one of the most joyful and dynamic parts of a Margam performance. Typically performed towards the end of a recital, however we shall have one more piece by the students after Thillana followed by managalam. Thillana is known for it’s fast-paced footwork, lively movements and intricate patterns, bringing both the dancer’s technical skill and grace to the forefront. This item is choreographed by Guru Smt. Bhuvana Selvaraj

Video Link : https://youtu.be/xgrHzMm_4iA

Part - #9 of #13

Harivarasanam : This piece is a revered traditional composition that holds a special place in the hearts of devotees as a soulful lullaby dedicated to Lord Ayyappa. This item, set in the soothing Raagam madhyamavathi and the intricate Adi tisra gati taalam resonates with divine tranquility invoking deep sense of peace and devotion. It is traditionally sung at the sanctum of Sabarimala, marking the closure of the temple doors for the night, symbolizing rest and surrender to the Lord. This item is choreographed by Guru Smt. Bhuvana Selvaraj.

Video Link : https://youtu.be/9oENn8qUjws

Part - #10 of #13

Mangalam on Lord Rama : Mangalam literally means "auspiciousness" or "good fortune," and this piece is a beautiful prayer offering thanks and invoking blessings upon the audience, the guru, the musicians, and all the world. The lyrics, "Sri Ramachandranukku Jaya Mangalam," are a glorious salutation to Lord Rama, his divine beauty, noble qualities, and virtuous supremacy. As the quintessential example of Dharma (righteousness), Lord Rama is celebrated as the personification of all that is auspicious. The choreography focuses on pure Abhinaya (expressive dance), beautifully conveying the devotion and reverence for Lord Rama through subtle facial expressions and symbolic hand gestures. Performed in a serene, concluding Raagam Madhyamavathi, this piece leaves the audience with a sense of peace, joy, and spiritual upliftment. This item is choreographed by Guru Smt. Bhuvana Selvaraj.

Video Link : https://youtu.be/4b0zqqwmC0I

Part - #11 of #13

• The felicitation of today’s artists with distribution of certificate and memento to all the Kids who took part in this Arengetram.
• The students felicitate people who have supported them during the preparation.
• Speech of Guru Smt. Bhuvana Selvaraj
• Speech by the Artists of the day.
• Vote of thanks by Vasumathy

Video Link : https://youtu.be/bnJDyyEGu0g

Part - #12 of #13

Photo shoot and Happy moments with friends and relatives.

Video Link : https://youtu.be/XGMFqKrjpR0

Part - #13 of #13

Felicitation of our esteemed Guests. Chief Guest Smt. Rajalakshmi Haridas, ACMC convener Shri K. R. Sanjeev, Secretary Mr. Abdul Salam and other committee members.

Video Link : https://youtu.be/uSsNS-Ex1JU

Please like and share my page if you like. Subscribe our YouTube Channel for more videos.